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突发！加州大学800余名教职工要求UCLA校长辞职，不满情绪或引发全美最大学术工会罢工_我的网站
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一名 UCLA 教职工举牌要求校长下台 来源：Jae C Hong/AP来源 洛杉矶每日新闻、卫报等编译 菡萏当地时间 5 月 9 日，美国加利福尼亚大学系统 800 余名教职员工联名请愿，要求加州大学洛杉矶分校（UCLA）校长吉恩·布洛克（Gene Block）辞职，理由是在其管理下，校园内的亲巴勒斯坦抗议学生和营地遭到了来自反对力量和警察的暴力袭击。此外，请愿的教职工还希望撤销对参与抗议的学生及教师的所有指控，并希望校方在 30 天内全面披露所有投资，并从所有军事武器生产公司和支持系统中撤资。 There are movies you watch and then there are movies you grow up with. Kabhi Khushi Kabhie Gham, or simply K3G, belongs in the latter category. The movie was released in 2001 and became one unapologetically grand Bollywood family drama by all means. Needless to mention, by all modern logic, it may feel dated to today’s Gen Z audience. And yet, more than two decades later, it remains a cultural mainstay. It is still memed, streamed, quoted and rewatched with the same enthusiasm as ever. Surely, you scroll through a bunch of Poo-inspired memes every day, and so do I!So, what is it about K3G that continues to resonate with a generation raised on Instagram reels, global cinema and an 'it's simply not giving' attitude?The drama is the point
First things first: K3G does not do subtle and that’s exactly why it works. In an era of overstimulation and performative minimalism (cue in clean girl aesthetic), K3G offers catharsis through excess. The emotions are loud, the conflicts are operatic, and the stakes are always sky-high. Estrangement from your family because you married for love? Of course. Tears flowing in designer sarees? Naturally.Gen Z doesn’t love K3G despite its melodrama, they love it because of it. The film understands that feelings don’t come in half-measures and neither does Bollywood at its most iconic.Characters that became archetypes
Few films have characters as instantly recognisable as K3G. Rahul Raichand (Shah Rukh Khan, who else?), the turtleneck hot cake is the blueprint for the emotionally wounded romantic hero. Anjali, played by Kajol, is chaotic, loud, loving and relatable with a capital R. Poo (Kareena Kapoor Khan), once dismissed as over-the-top, is now a certified Gen Z icon. Why? She is confident, self-aware, and living by her own rules long before 'main character energy' was a thing. These characters have transcended the film itself. They are in GIFs, memes, audio trends and Halloween costumes. Most of Bollywood's digital footprint, thanks to Karan Johar, is filled with K3G.Nostalgia without the baggageMillennials would agree, K3G is nostalgia tied to childhood. It was a part of Sunday television reruns in family living rooms. But for the Gen Z, the nostalgia is second hand. But no less powerful. It is comfort cinema without personal baggage. Watching K3G feels like stepping into a warm and exaggerated version of a family. The said family is flawed, dramatic but ultimately united. Interestingly, K3G offers a fantasy version of reconciliation. It does not pretend to be realistic but promises emotional closure. And sometimes, that’s exactly what viewers want.Aesthetic excess, before it was cool
Let’s talk about the look of K3G. The mansions (how can the Raichand house be in Delhi?), the couture, the sweeping foreign locations, the slow-motion entrances and more kept the cinematic maximalism alive, before TikTok rediscovered it. Gen Z, with their love for irony and camp, understands K3G as both sincere and spectacular.
There’s a reason scenes from the film circulate endlessly online. Jaya Bachchan sensing Rahul’s presence and Poo declaring her life philosophy lends itself effortlessly to remix culture. K3G knows it is iconic and does not have to fight for a place in the museum of the grandest Bollywood movies ever made.Music that refuses to ageFew Bollywood albums have the staying power of K3G. Kabhi Khushi Kabhie Gham's aching title track in the legendary Lata Mangeshkar's voice to the wedding staple Bole Chudiyan continue to show up at family functions, reels and late-night nostalgia playlists. For Gen Z listeners, these songs carry drama and longing in just a few notes. The tracks don't need the algorithm to drive them to the right audiences, for they are popular just the way they are.The comfort film effect
At its core, K3G survives because it understands that people return to stories that make them feel held. The film doesn’t judge its characters for wanting love. It validates those desires with dhol and background violins.Gen Z, often labelled detached or ironic, has shown time and again that they crave sincerity. K3G delivers sincerity in abundance. It says it’s okay to care too much, cry openly (men, take notes) and believe in dramatic reunions.Also Read: Kajol Celebrates 24 Years of Kabhi Khushi Kabhie Gham With Fun Post。《洛杉矶每日新闻》（Los Angeles Daily News）的报道显示，上周，一群蒙面者在校园内对抗议学生发动了暴力袭击。
一名志愿医务人员在接受《卫报》（The Guardian）采访时表示，在暴力袭击中受伤的学生情况多样，包括严重的头部撕裂伤、面部骨折、蛛网膜下腔出血、橡皮子弹伤、骨折和化学刺激物引起的哮喘发作。
B | 在警方干预并恢复秩序之前，这一暴力行为不受约束地持续了几个小时
。大约 24 小时后，UCLA 的抗议营地遭到警方拆除，209 人被逮捕。媒体拍摄到的冲突现场 来源：abcnews一名志愿医务人员在接受《卫报》（The Guardian）采访时表示，在暴力袭击中受伤的学生情况多样，包括严重的头部撕裂伤、面部骨折、蛛网膜下腔出血、橡皮子弹伤、骨折和化学刺激物引起的哮喘发作。
C | UCLA 历史学副教授凯瑟琳·马里诺（Katherine Marino）表示，
至少有 25 名学生住院，大约 200 人被捕，警察在这个过程中“将明显受伤的学生拖走”。据悉，布洛克曾在 5 月 2 日的电话会议上解释称，此次暴力事件起源于 4 月 28 日在 UCLA 校园内举行的亲以色列集会。尽管该集会得到校方允许，但当日晚些时候冲突还是出现了。
D | 校方管理人员在接下来的几天内试图找到和平的解决方案，但最终未能成功，
反示威者袭击了校园内的亲巴勒斯坦营地，校方管理人员在头几个小时没有进行干预。由于暴力冲突结束后的营地已经变得“更像是一个掩体”，因此只能让警察拆除。当时警察曾利用扩音器警告抗议营地内的学生，如果不离开该地就会有人被捕，布洛克表示当时有数百人自愿离开，而留下来的 200 多人最终被警方拘留。校园暴力事件发生后，加州州长对暴力事件和警方的“缓慢执法”表示谴责，加州大学校长则表示将对 UCLA 的处理方式开展独立调查。截至目前，已有 880 名教职员工签署了请愿书。吉恩·布洛克没有立即做出回应，他已经计划在 7 月底退休。UCLA 教职工抗议现场 来源：Jae C. Hong/AP此外，代表加州大学系统 4.8 万名研究生和科研人员的全美最大学术工会 UAW local 4811 正在考虑是否要以罢工的形式，表达对此次暴力事件处理方式的不满。
E | 由于该工会成员大多为各个课题组的一线力量，因此加州大学的部分教授也开始讨论如果研究生罢工开始，他们也将停止工作。
UCLA 人类学教授普尼玛·曼克卡尔（Purnima Mankekar）说，她觉得自己有义务保护营地里的学生。她表示：“我的工作是确保我们学生的学习和智力成长不受阻碍......当外部煽动者或警察对他们实施暴力破坏时，这让我非常沮丧”。“家长把学生托付给我们。我们的工作就是保证他们的安全。”主要来源：https://www.theguardian.com/world/article/2024/may/09/ucla-faculty-chancellors-resignation-campus-protestshttps://abc7.com/post/uc-faculty-group-calls-for-dropping-charges-against-student-protesters-wants-chancellor-gene-block-to-resign/14789426/https://www.dailynews.com/2024/05/09/uc-faculty-call-for-resignation-of-ucla-chancellor-over-protest-handling/Current article:http://tmtdk.cengzaodengchawonin.cyou/jbhi1c6/13m.docx
Published on:17:43:06